Cinematic beacon on highway underpasses. New York smells like cold old garbage. That stink wriggles into the exposed arteries of the romantic street cutter. There’s no cover from wind and rain but a needle’s fill of junk. Headlights interrupt the night and she stands there indifferent to your “good intentions”. Proselytizing on love she throws it all away again. She lives aboard an ancient pizza box. Her kiss a breath of rot from a cracked casket. Her friends play French New Wave bikers for the camera. Sexy crust punk spangers. The ultimate freedom of addiction. The real walking dead. Hardstyle beatz & halfway houses.
Drug Trips
9 to 5
In dreams Dolly’s office opens on the Mojave. She steps away from staplers and collating machines and enters that hot home of the desert tortoise. The sun is very bright out here, the air dry. The trees are named Joshua and aren’t trees at all. Cartoon birds flit down from the mountain and whisper memories into her Cinderella shoulders. They take pratfalls and scream “guh-guh-guh-ghost!” This is a cheerful reminder to be militantly feminist. By evening she’s on top of a gulch looking down. The moon is a glowing sliver of thumb nail behind her and the stars are manifold. She sits. She breathes.