“I’m trying to reach toward a picture that’s totally emotional, not narrative or intellectual, where an audience walks out and they can’t say anything but what they feel” – Robert Altman
A mechanical witch cackles in the dusty saloon. The 1st woman spies the 3rd through a fish tank. Primordial figures etched in secret on the bottom of the swimming pool. A picture like a puzzle with pieces missing. Duvall’s dress hem jammed in the car door. The mojave leers over the balcony. Nothing here is strictly extraordinary rather realistic life reveals it’s eerie smiling ghoul face. Altman dreamed the script, the cast, the setting and turned his dreams to cinema. Proclaimed witch and soothsayer Angeliska assembles some dope-ass stills, behind the scenes photos, & impressions over here on her site.
D & W by: Robert Altman, More W by: Patricia Resnick, P by: Chuck Rosher, E by: Dennis Hill, M by: Gerald Busby, A by: Bodhi Wind, w/Shelly Duvall, Sissy Spacek, Janice Rule, Robert Fortier, Ruth Nelson, John Cromwell, Sierra Pecheur, Belita Moreno, etc…124 min, USA, 1977
The thrilling wrongness of being outside peering in. Men breaking boundaries, burdening budding sexuality. Men fantasizing about giving Alicia Silverstone a bath. Soapin’ up her back, oh yeah. A #yesallwomen picture. A classical piano score. If this movie were made today the quarterback in the diner besot by patriarchal temptation would be reading the Robert Coover source material as a sorta meta nod or easter egg rather than Catcher in the Rye, the go-to text of Hollywood for symbolizing white male angst.
D & W: Guy Ferland; P: Rick Bota; E: Jim Prior & Victoria T. Thompson; M: Loek Dikker, thnx Robert Coover & Joel Shumacher, w/Alicia Silverstone, J.T.Walsh, Lee Garlington, George Segal, Lois Chiles, Jeremy London, Nicky Katt, Tuesday Knight, etc…90 min, USA, 1995
Yellow saunters around Stockholm conducting man-on-the-street interviews about social issues. Occasionally has sex. Her director is in love with her, so he puts that into the movie too. The cameraman practices yoga with the sound mixer. A Russian poet shows up. MLK, Jr. shows up. This movie was infamous in the 60’s because it has dicks in it.
D & W by: Vilgot Sjöman, P by: Peter Wester, E by: Wic Kjellin, M by: Bengt Ernryd, w/Lena Nyman; Börje Ahlstedt; Peter Lindgren; Marie Göranzon; Vilgot Sjöman; Olof Palme; Martin Luther King, Jr.; Yevgeny Yevtushenko; etc…122 min, Sweden, 1967
In dreams Dolly’s office opens on the Mojave. She steps away from staplers and collating machines and enters that hot home of the desert tortoise. The sun is very bright out here, the air dry. The trees are named Joshua and aren’t trees at all. Cartoon birds flit down from the mountain and whisper memories into her Cinderella shoulders. They take pratfalls and scream “guh-guh-guh-ghost!” This is a cheerful reminder to be militantly feminist. By evening she’s on top of a gulch looking down. The moon is a glowing sliver of thumb nail behind her and the stars are manifold. She sits. She breathes.
D & W by: Colin Higgins, More W: Patricia Resnick, P by: Reynaldo Villalobos, E by: Pembroke J. Herring, M by: Charles Fox & Dolly Parton, A by: Nicholas Eliopoulos & Fred Lucky, w/Lily Tomlin, Dolly Parton, Jane Fonda, Dabney Coleman, Peggy Pope, Elizabeth Wilson, Marian Mercer, Sterling Hayden, etc…, 110 min, USA, 1980